Illumination

No. Name. Where Produced. Where Kept. Date. Remarks. 1 Offices and Prayers Westminster Brit. Mus., Roy. 2 A. 22 1240 Imitation of stained glass. Typical MS. 2 Bible in Latin Canterbury Brit. Mus., Burney 3 1245   3 „ Salisbury Brit. Mus., Roy. 1 B.

Why so-called—Works to be consulted—The Library of St. Gall—Rise and progress of Carolingian art—Account of various MSS.—Features of the style—Gospels of St. Sernin—The Ada-Codex—Centres of production—Other splendid examples—The Alcuin Bible—The Gospel of St. Médard of Soissons.

Late period of Spanish illumination—Isidore of Seville—Archives at Madrid—Barcelona—Toledo—Madrid—Choir-books of the Escorial—Philip II.—Illuminators of the choir-books—The size and beauty of the volumes—Fray Andrés de Leon and other artists—Italian influence—Giovanni Battista Scorza of Genoa—Antonio de Holanda, well-known Portuguese miniaturist in sixteenth century—His son Francesco—The choir-books at Belem—French invasion—Missal of Gonçalvez—Sandoval Genealogies—Portuguese Genealogies in British Museum—The Stowe Missal of John III.

No. Name. Where Produced. Where Kept. Date. Remarks. 1 Hours, etc., Lat. and Catalan. ...... Brit. Mus., Add. 18193 ...... Netherlandish influence. 2 Offices B.M.V. ...... Brit. Mus., Add.

What is meant by art?—The art faculty—How artists may be compared—The aim of illumination—Distinction between illumination and miniature—Definition of illumination—The first miniature painter—Origin of the term “miniature”—Ovid's allusion to his little book.

Introductory—Monasteries and their work from the sixth to the ninth century—The claustral schools—Alcuin—Warnefrid and Theodulf—Clerics and monastics—The Golden Age of monasticism—The Order of St. Benedict—Cistercian houses—Other Orders—Progress of writing in Carolingian times—Division of labour.

The invention of printing—Its very slight effect on illuminating—Preference by rich patrons for written books—Work produced in various cities in the sixteenth century—Examples in German, Italian, and other cities, and in various public libraries up to the present time.

Abrahams, N.C.L. Description des MSS. françaises du Moyen Age de la Bibliothèque Royale de Copenhague. 4to. Copenhagen. 1844.

Alt, H. Die Heiligenbilder oder die bildende Kunst u. die Theologie. 8vo. Berlin, 1845.

Difference between vellum and parchment—Names of different preparations—The kinds of vellum most prized for illuminated books—The “parcheminerie” of the Abbey of Cluny—Origin of the term “parchment”—Papyrus.

As vellum is constantly spoken of in connection with illumination and illuminated books, it becomes necessary to explain what it is, and why it was used instead of paper.

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