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F. Morley Fletcher

Beside the printing of flat masses of colour, one of the great resources of block printing is in the power of delicate gradation in printing. The simplest way of making a gradation from strong to pale colour is to dip one corner of a broad brush into the colour and the other corner into water so that the water just runs into the colour: then, by squeezing the whole width of the brush broadly between the thumb and forefinger so that most of the water is squeezed out, the brush is left charged with a tint gradated from side to side.

These are all the tools that are needed for block cutting. For keeping them in order it is well to have oilstones of three grades:

Fig 6
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