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Henry H. Snelling

Under this title a process has been brought forward by Mr. Hunt. It consists of the application of a solution of succinic acid to paper, which is subsequently washed over with nitrate of silver. The image is then to be taken either in the camera or otherwise, as required, and is brought out by the application of the sulphate of iron in solution. Although this process has not come into general use, its exact description may be interesting to the general reader, and we therefore subjoin it.

Many efforts have been made to render chromatic acid an active agent in the production of photographs. M. Ponton used a paper saturated with bichromate of potash, and this was one of the earliest photogenic processes. M. Becquerel improved upon this process by sizing the paper with starch previous to the application of the bichromate of potash solution, which enabled him to convert the negative picture into a positive one, by the use of a solution of iodine, which combined with that portion of the starch on which the light had not acted.

The expressed juice, alcoholic, or watery infusion of flowers, or vegetable substances, may be made the media of photogenic action. This fact was first discovered by Sir John Herschel. We have already given a few examples of this in the third chapter.

New York, January 27, 1849. E. ANTHONY, ESQ.

This process is a discovery of Sir John Herschel and receives its name from the fact that both negative and positive photographs can be produced by one process. The positive pictures obtained by it have a perfect resemblance to impressions of engravings with common printer's ink. The process, although not yet fully carried out, promises to be of vast utility.

"The improvement to which you refer is denominated "The Crayon Daguerreotype." This invention made by Mr. J. A. Whipple, is the only improvement in Daguerreotyping, I believe, for which Letters Patent for the United States were ever issued. The pictures produced by this process--which is of the simplest description imaginable--have the appearance and effect of very fine "Crayon Drawings," from which the improvement takes its name. Some of our most distinguished artists have given it their unqualified admiration.

As in all cases of great and valuable inventions in science and art the English lay claim to the honor of having first discovered that of Photogenic drawing. But we shall see in the progress of this history, that like many other assumptions of their authors, priority in this is no more due them, then the invention of steamboats, or the cotton gin.

This claim is founded upon the fact that in 1802 Mr. Wedgwood recorded an experiment in the Journal of the Royal Institution of the following nature.

Having before noticed the fact that some advances had been made towards taking Daguerreotypes in color, by means of solar rays, and expressed the hope that the day was not far distant when this might be accomplished, I here subjoin Mr. Hunt's remarks on this subject.

Some philosophers contend that to the existence of light alone we owe the beautiful effects produced by the Photogenic art, while others give sufficient reasons for doubting the correctness of the assumption. That the results are effected by a principle associated with light and not by the luminous principle itself, is the most probable conclusion. The importance of a knowledge of this fact becomes most essential in practice, as will presently be seen. To this principle Mr. Hunt gives the name of ENERGIA.

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