John Trusler

This plate displays our industrious young man attending divine service in the same pew with his master's daughter, where he shows every mark of decent and devout attention.

This plate is designed, with much humour, according to the rules of heraldry, and is called The Undertakers' Arms, to show us the connexion between death and the quack doctor, as are also those cross-bones on the outside of the escutcheon. When an undertaker is in want of business, he cannot better apply than to some of those gentlemen of the faculty, who are, for the most part, so charitably disposed, as to supply the necessities of these sable death-hunters, and keep them from starving in a healthy time. By the tenour of this piece, Mr.

This Plate describes, in the strongest colours, the distress of an author without friends to patronise him. Seated upon the side of his bed, without a shirt, but wrapped in an old night-gown, he is now spinning a poem upon "Riches:" of their use he probably knoweth little; and of their abuse,—if judgment can be formed from externals,—certes, he knoweth less.

Daniel Lock was an architect of some eminence. He retired from business with an ample fortune, lived in Surrey-street, and was buried in the chapel of Trinity College, Cambridge. This portrait was originally engraved by J. M'Ardell from a painting by Hogarth, and is classed among the productions of our artist that are of uncertain date.

 DANIEL LOCK, ESQ. F.A.S.

It having been universally acknowledged that Mr. Hogarth was one of the most ingenious painters of his age, and a man possessed of a vast store of humour, which he has sufficiently shown and displayed in his numerous productions; the general approbation his works receive, is not to be wondered at.