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" (2) | ( (1) | 1 (1) | 2 (1) | 3 (1) | A (74) | B (40) | C (73) | D (44) | E (25) | F (62) | G (30) | H (17) | I (82) | J (17) | K (1) | L (46) | M (54) | N (15) | O (29) | P (133) | Q (1) | R (52) | S (59) | T (215) | U (1) | V (38) | W (10) | X (23) | Z (2) | “ (2)
Title
X.
XI.
XII.
XIII.
XIV.
X. The Young Titian.
XI. Apparent Failure of the Renaissance.
XII. Lotto.
XIII. The Late Renaissance and Titian.
XIV. Humanity and the Renaissance.
XV. Sebastiano del Piombo.
XVI. Tintoretto.
XVII. Value of Minor Episodes in Art.
XVIII. Tintoretto's Portraits.
XIX. Venetian Art and the Provinces.
XX. Paul Veronese.
XXI. Bassano, Genre, and Landscape.
XXII. The Venetians and Velasquez.
XXIII. Decline of Venetian Art.
XXIV. Longhi.
XXV. Canaletto and Guardi.
XXVI. Tiepolo.
XXVII. Influence of Venetian Art.
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  • THE ROMAN FORUM
  • ANCIENT GREECE AND ITALY.
  • PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
  • PAINTING IN ENGLAND.
  • PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
  • THE MARBLES OF ANCIENT ROME
  • ST. ONOFRIO AND TASSO
  • THE APPIAN WAY
  • THE EGYPTIAN OBELISKS
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  • ST. MICHAEL SLAYING THE DRAGON
  • SIR JOSHUA REYNOLDS AND THOMAS GAINSBOROUGH
  • “BATTLE OF THE NUDES”
  • EDOUARD MANET: HIS WORK, HIS INFLUENCE
  • ST. ONOFRIO AND TASSO
  • PAINTING IN ENGLAND.
  • THE MARBLES OF ANCIENT ROME
  • CHAPTER VI.
  • THE CUMÆAN SIBYL
 
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