I. |
TYPES OF FIRST DRAWINGS BY CHILDREN |
II. |
SHOWING WHERE SQUARENESSES MAY BE LOOKED FOR |
III. |
A DEVICE FOR ENABLING STUDENTS TO OBSERVE APPEARANCES AS A FLAT SUBJECT |
IV. |
SHOWING THREE PRINCIPLES OF CONSTRUCTION USED IN OBSERVING MASSES, CURVES, AND POSITION OF POINTS |
V. |
PLAN OF CONE ILLUSTRATING PRINCIPLES OF LIGHT AND SHADE |
VI. |
ILLUSTRATING SOME POINTS CONNECTED WITH THE EYES |
VII. |
EGG AND DART MOULDING |
VIII. |
ILLUSTRATING VARIETY IN SYMMETRY |
IX. |
ILLUSTRATING VARIETY IN SYMMETRY |
X. |
ILLUSTRATING INFLUENCE OF HORIZONTAL LINES |
XI. |
ILLUSTRATING INFLUENCE OF VERTICAL LINES |
XII. |
ILLUSTRATING INFLUENCE OF THE RIGHT ANGLE |
XIII. |
LOVE AND DEATH |
XIV. |
ILLUSTRATING POWER OF CURVED LINES |
XV. |
THE BIRTH OF VENUS |
XVI. |
THE RAPE OF EUROPA |
XVII. |
xviBATTLE OF S. EGIDIO |
XVIII. |
SHOWING HOW LINES UNRELATED CAN BE BROUGHT INTO HARMONY |
XIX. |
SHOWING HOW LINES UNRELATED CAN BE BROUGHT INTO HARMONY |
XX. |
THE ARTIST'S DAUGHTER |
XXI. |
THE INFLUENCE ON THE FACE OF DIFFERENT WAYS OF DOING THE HAIR |
XXII. |
THE INFLUENCE ON THE FACE OF DIFFERENT WAYS OF DOING THE HAIR |
XXIII. |
EXAMPLES OF EARLY ITALIAN TREATMENT OF TREES |
XXIV. |
THE PRINCIPLE OF MASS OR TONE RHYTHM |
XXV. |
MASS OR TONE RHYTHM IN "ULYSSES DERIDING POLYPHEMUS" |
XXVI. |
EXAMPLE OF COROT'S SYSTEM OF MASS RHYTHM |
XXVII. |
ILLUSTRATING HOW INTEREST MAY BALANCE MASS |
XXVIII. |
PROPORTION |