Home
Books
Pages
Authors
Subjects
Home
The Venetian Painters of the Renaissance
Bernhard Berenson
Painting
by
Bernhard Berenson
Preface.
I. Value of Venetian Art.
II. The Church and Painting.
III. The Renaissance.
IV. Painting and the Renaissance.
V. Pageant Pictures.
VI. Painting and the Confraternities.
VII. Easel Pictures and Giorgione.
VIII. The Giorgionesque Spirit.
IX. The Portrait.
X. The Young Titian.
XI. Apparent Failure of the Renaissance.
XII. Lotto.
XIII. The Late Renaissance and Titian.
XIV. Humanity and the Renaissance.
XV. Sebastiano del Piombo.
XVI. Tintoretto.
XVII. Value of Minor Episodes in Art.
XVIII. Tintoretto's Portraits.
XIX. Venetian Art and the Provinces.
XX. Paul Veronese.
XXI. Bassano, Genre, and Landscape.
XXII. The Venetians and Velasquez.
XXIII. Decline of Venetian Art.
XXIV. Longhi.
XXV. Canaletto and Guardi.
XXVI. Tiepolo.
XXVII. Influence of Venetian Art.
Preface. ›
Popular Books
Popular Pages
The Best Portraits in Engraving
Masters of Water-Colour Painting
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
Correggio
Jean François Millet
Raphael
Rembrandt
American Handbook of the Daguerrotype
Great Artists: Raphael, Rubens, Murillo, Dürer
Van Dyck
THE ROMAN FORUM
ANCIENT GREECE AND ITALY.
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
PAINTING IN ENGLAND.
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
THE MARBLES OF ANCIENT ROME
ST. ONOFRIO AND TASSO
THE APPIAN WAY
THE EGYPTIAN OBELISKS
INDEX OF PLACES.
Today's Books
Today's Pages
The Best Portraits in Engraving
Masters of Water-Colour Painting
The Practice and Science of Drawing
French Art
Rembrandt
Rembrandt and His Works
Illuminated Manuscripts
The Works of William Hogarth
Great Pictures, As Seen and Described by Famous Writers
Watts
THE ROMAN FORUM
LECTURE VI. LIGHT
MASS DRAWING: PRACTICAL
FLEMISH PAINTING.
THE WOMAN SEWING BY LAMPLIGHT
VELLUM AND OTHER MATERIALS
Early English and Mediaeval Dancing to the 14th Century.
ITALIAN PAINTING. THE HIGH RENAISSANCE, 1500-1600. (Continued).
MASS DRAWING
THE VISION OF ST. ANTHONY