Bernhard Berenson

MARIOTTO ALBERTINELLI.

 

1474-1515. Pupil of Cosimo Rosselli and Pier di Cosimo; influenced by Lorenzo di Credi; worked in partnership with Fra Bartolommeo.

COSIMO, see PIER DI COSIMO.

 

LEONARDO DA VINCI.

 

1452-1519. Pupil of Verrocchio.

III.

 

SCULPTURE, ETC.

 
  • Assisi.
    • S. Francesco. Altar-frontal embroidered probably from designs by Piero.
  • Florence.
    • Bargello. Bust of Young Warrior (Terra-cotta). Hercules and Antæus (Bronze).
    • Opera del Duomo. Enamels in Pedestal of Silver Crucifix. Finished 1459. Birth of Baptist (Relief in Silver).

ALESSIO BALDOVINETTI

 

This was literally the case with the oldest among the leaders of the new generation, Alessio Baldovinetti, in whose scanty remaining works no trace of purely artistic feeling or interest can be discerned; and it is only less true of Alessio’s somewhat younger, but far more gifted contemporaries, Antonio Pollaiuolo and Andrea Verrocchio.

XII.

 

ALUNNO DI DOMENICO.

 

Descriptive name for Florentine painter whose real name appears to have been Bartolommeo di Giovanni. Flourished last two decades of fifteenth century. Assistant of Ghirlandajo; influenced by Amico di Sandro.

LORENZO DI CREDI.

 

1456-1537. Pupil of Verrocchio.

FILIPPINO LIPPI

 

1457-1504. Pupil of Botticelli; influenced by Amico di Sandro, and very slightly by Piero di Cosimo.

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