|
A Discourse Delivered at the Opening of the Royal Academy, January 2nd, 1769, by the President |
|
A Discourse Delivered to the Students of the Royal Academy, on the Distribution of the Prizes, December 11, 1769, by the President |
|
A Discourse Delivered to the Students of the Royal Academy on the Distribution of the Prizes, December, 14, 1770, by the President |
|
A Discourse Delivered to the Students of the Royal Academy on the Distribution of the Prizes, December 10, 1771, by the President |
|
A Discourse Delivered to the Students of the Royal Academy on the Distribution of the Prizes, December 10, 1772, by the President |
|
A Discourse Delivered to the Students of the Royal Academy on the Distribution of the Prizes, December 10, 1774, by the President |
|
A Discourse Delivered to the Students of the Royal Academy on the Distribution of the Prizes, December 10th, 1776, by the President |
|
ACADEMIC SCULPTURE |
|
A WALK TO CHURCH IN ROME |
|
ADDENDA |
|
A Textbook of the History of Painting |
|
AMERICAN PAINTING. |
|
ADORATION OF THE MAGI |
|
AURORA |
|
AURORA |
|
ADORATION OF THE MAGI |
|
ANALYSIS OF ENJOYMENT OF PAINTING |
|
ART FOR DEXTERITY’S SAKE |
|
ANDREA DEL CASTAGNO |
|
ALESSIO BALDOVINETTI |
|
ANDREA DEL SARTO |
|
ANTHROPOMORPHISM IN ART |
|
ALUNNO DI DOMENICO. |
|
AMICO DI SANDRO. |
|
ANDREA (Vanucci) DEL SARTO. |
|
ALESSO BALDOVINETTI. |
|
ANDREA DEL CASTAGNO. |
|
A. |
|
ANDREA ORCAGNA AND HIS BROTHERS. |
|
ANDREA VERROCCHIO. |
|
AUGUSTE RENOIR AND HIS WORK |
|
A History of Art for Beginners and Students - Painting |
|
ANCIENT PAINTING, FROM THE EARLIEST TIMES TO THE CHRISTIAN ERA. |
|
ASSYRIA. |
|
ANCIENT GREECE AND ITALY. |
|
American Handbook of the Daguerrotype |
|
ACCELERATING SUBSTANCES. |
|
An Appreciation of the Pictures in Amsterdam |
|
APOSTLES AND GENII |
|
A SUPPOSED PORTRAIT OF CORREGGIO |
|
A BRIEF HISTORY OF THE ART |
|
A FEW HINTS AND SUGGESTIONS TO DAGUERREOTYPISTS |
|
ABRAHAM AND THE THREE ANGELS |
|
ARTISTIC EDUCATION IN THE CLOISTER |
|
APPENDIX |
|
A WORD FROM THE DIRECTOR OF THE DENVER ART ASSOCIATION |
|
ARCHITECTURE-IN-MOTION |
|
ARCHITECTS AS CRUSADERS |
|
ALBRECHT DURER AND HIS CITY.1471–1528. |
|
ADDENDA TO LECTURES I. AND II. |
|
ADDENDA TO THE FOURTH LECTURE. |
|
AUTHOR'S NOTE |
|
APPENDIX |
|
ANGELS' HEADS |
|
ARRESTED FOR DEBT. |
|
A MIDNIGHT MODERN CONVERSATION. |
|
A REVIEW OF WATTS' WORK |
|
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art |
|
ANCIENT THEBES. |
|
ARCHIMEDES. |
|
ANECDOTE OF SCHWARTS. |
|
A HINT TO JEWELERS. |
|
ADRIAN BROWER. |
|
ANECDOTE OF AN ALTAR-PIECE BY MURILLO. |
|
AN ARTIST'S LOVE ROMANCE. |
|
A PAINTER'S REBUKE. |
|
A PAINTER'S RETORT COURTEOUS. |
|
ARDEMANS AND BOCANEGRA—A TRIAL OF SKILL. |
|
A PAINTER'S ARTIFICE TO "KEEP UP APPEARANCES." |
|
A GOOD-NATURED CRITICISM. |
|
ALONSO CANO AND THE INTENDANT OF THE BISHOP OF MALAGA. |
|
ANECDOTE OF CESPEDES' LAST SUPPER. |
|
ALBERT DURER. |
|
ANECDOTE OF JOHN DE MABUSE. |