Introduction |
I |
II |
III |
IV |
I |
II |
III |
IV |
I |
II |
III |
IV |
I |
II |
III |
IV |
I |
II |
III |
IV |
I |
II |
INTRODUCTION. |
ITALIAN PAINTING. EARLY CHRISTIAN AND MEDIÆVAL PERIOD. 200-1250. |
ITALIAN PAINTING. GOTHIC PERIOD. 1250-1400. |
ITALIAN PAINTING. EARLY RENAISSANCE. 1400-1500. |
ITALIAN PAINTING. EARLY RENAISSANCE—1400-1500. (Continued). |
ITALIAN PAINTING. THE HIGH RENAISSANCE—1500-1600. |
ITALIAN PAINTING. THE HIGH RENAISSANCE, 1500-1600. (Continued). |
ITALIAN PAINTING. THE HIGH RENAISSANCE. 1500-1600. (Continued.) |
ITALIAN PAINTING. THE DECADENCE AND MODERN WORK. 1600-1894. |
INTRODUCTION |
INSPIRATION |
INDEX OF PAINTERS AND PERIODS |
INTRODUCTORY |
I. |
II. |
IMAGINATION OF TOUCH |
III. |
IV. |
IX. |
INDEX TO THE WORKS OF THE PRINCIPAL FLORENTINE PAINTERS |
INDEX OF PLACES. |
I. Value of Venetian Art. |
II. The Church and Painting. |
III. The Renaissance. |
IV. Painting and the Renaissance. |
IX. The Portrait. |
INTRODUCTION. |
IODINE. |
INSTANTANEOUS PROCESS FOR PROCURING DAGUERREOTYPES. |
ILLUMINATED DAGUERREOTYPES. |
ISRAEL BLESSING THE SONS OF JOSEPH |
Introduction |
IL GIORNO |
INTRODUCTION |
I. CYANOTYPE |
II. ENERGIATYPE |
III. CHROMATYPE |
IV. ANTHOTYPE |
IN ITALY |
IN PORTUGAL |
IN ENGLAND |
IN GERMANY |
IN FRANCE |
IN SPAIN |
INTRODUCTION |
Illuminated Manuscripts |
INTRODUCTORY |
ITALIAN ILLUMINATION |
ILLUMINATION SINCE THE INVENTION OF PRINTING |
IRISH OR CELTIC |
ITALIAN |
INTRODUCTION. |
INDEX OF ARTISTS. |
INTRODUCTION |
Introduction and Description of the Origins of Wood-block Printing; its uses for personal artistic expression,for reproduction of decorative designs, and as a fundamental training for students of printed decoration. |
INK |
INDUSTRY AND IDLENESS. |
INGENUITY OF ARTISTS. |
INTERESTING DRAWINGS. |