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Introduction |
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I |
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II |
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III |
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IV |
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I |
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II |
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III |
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IV |
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I |
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II |
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III |
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IV |
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I |
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II |
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III |
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IV |
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I |
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II |
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III |
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IV |
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I |
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II |
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INTRODUCTION. |
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ITALIAN PAINTING. EARLY CHRISTIAN AND MEDIÆVAL PERIOD. 200-1250. |
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ITALIAN PAINTING. GOTHIC PERIOD. 1250-1400. |
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ITALIAN PAINTING. EARLY RENAISSANCE. 1400-1500. |
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ITALIAN PAINTING. EARLY RENAISSANCE—1400-1500. (Continued). |
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ITALIAN PAINTING. THE HIGH RENAISSANCE—1500-1600. |
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ITALIAN PAINTING. THE HIGH RENAISSANCE, 1500-1600. (Continued). |
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ITALIAN PAINTING. THE HIGH RENAISSANCE. 1500-1600. (Continued.) |
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ITALIAN PAINTING. THE DECADENCE AND MODERN WORK. 1600-1894. |
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INTRODUCTION |
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INSPIRATION |
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INDEX OF PAINTERS AND PERIODS |
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INTRODUCTORY |
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I. |
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II. |
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IMAGINATION OF TOUCH |
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III. |
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IV. |
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IX. |
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INDEX TO THE WORKS OF THE PRINCIPAL FLORENTINE PAINTERS |
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INDEX OF PLACES. |
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I. Value of Venetian Art. |
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II. The Church and Painting. |
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III. The Renaissance. |
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IV. Painting and the Renaissance. |
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IX. The Portrait. |
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INTRODUCTION. |
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IODINE. |
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INSTANTANEOUS PROCESS FOR PROCURING DAGUERREOTYPES. |
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ILLUMINATED DAGUERREOTYPES. |
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ISRAEL BLESSING THE SONS OF JOSEPH |
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Introduction |
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IL GIORNO |
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INTRODUCTION |
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I. CYANOTYPE |
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II. ENERGIATYPE |
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III. CHROMATYPE |
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IV. ANTHOTYPE |
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IN ITALY |
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IN PORTUGAL |
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IN ENGLAND |
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IN GERMANY |
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IN FRANCE |
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IN SPAIN |
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INTRODUCTION |
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Illuminated Manuscripts |
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INTRODUCTORY |
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ITALIAN ILLUMINATION |
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ILLUMINATION SINCE THE INVENTION OF PRINTING |
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IRISH OR CELTIC |
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ITALIAN |
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INTRODUCTION. |
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INDEX OF ARTISTS. |
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INTRODUCTION |
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Introduction and Description of the Origins of Wood-block Printing; its uses for personal artistic expression,for reproduction of decorative designs, and as a fundamental training for students of printed decoration. |
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INK |
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INDUSTRY AND IDLENESS. |
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INGENUITY OF ARTISTS. |
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INTERESTING DRAWINGS. |