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Title
To the King
To the Members of the Royal Academy
THE NEW MOVEMENT IN SCULPTURE
THE APPIAN WAY
THE CUMÆAN SIBYL
THE ROMAN FORUM
THE EGYPTIAN OBELISKS
THE PAINTED TOMB AT VEII
THE MARBLES OF ANCIENT ROME
THE VATICAN CODEX
Two Lectures on the Political Economy of Art
THE INTERVENTION OF BUDDHISM
THE T’ANG PERIOD—SEVENTH TO TENTH CENTURIES
THE SUNG PERIOD—TENTH TO THIRTEENTH CENTURIES
THE YÜAN PERIOD—THIRTEENTH AND FOURTEENTH CENTURIES
THE MING PERIOD—FOURTEENTH TO SEVENTEENTH CENTURIES
THE CH’ING PERIOD—SEVENTEENTH TO TWENTIETH CENTURIES
TUSCAN SCHOOLS
THE EARLIER QUATTROCENTISTS
THE LATER QUATTROCENTISTS
THE VIVARINI AND BELLINI
TIZIANO VECELLIO
THE PUPILS OF RUBENS
THE SEVENTEENTH CENTURY
THE EIGHTEENTH CENTURY
THE ENGLISH SCHOOL
THE EARLY PORTRAIT PAINTERS
THE CLOSE OF THE EIGHTEENTH CENTURY
THE NINETEENTH CENTURY
THE SPIRIT OF REVOLT
THE ROYAL ACADEMY
THE FISHERMAN PRESENTING THE RING TO THE DOGE GRADENIGO
THE BIRTH OF VENUS
THE QUEEN OF SHEBA
THE LAST JUDGEMENT
THE SISTINE MADONNA
THE DREAM OF ST. URSULA
THE DESCENT FROM THE CROSS
THE CORONATION OF THE VIRGIN
THE AVENUE OF MIDDELHARNAIS
THE DANCE OF THE DAUGHTER OF HERODIAS
THE ASSUMPTION OF THE VIRGIN
THE NIGHT WATCH
THE RAPE OF HELEN
THE ADORATION OF THE LAMB
THE DEATH OF PROCRIS
THE DEATH OF PROCRIS
THE MARRIAGE IN CANA
THE HAY WAIN
THE SURRENDER OF BREDA
THE IMMACULATE CONCEPTION
THE MADONNA OF THE ROCKS
THE TRANSFIGURATION
THE BULL
THE MARKET-CART
THE LAST SUPPER
THE CHILDREN OF CHARLES I.
THE FIGHTING TÉMÉRAIRE TUGGED TO HER LAST BERTH TO BEBROKEN UP, 1838
The Florentine Painters of the Renaissance
THE POLLAJUOLI.
The French Impressionists (1860-1900)
THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME
THE THEORY OF THE IMPRESSIONISTS—THE DIVISION OF TONES, COMPLEMENTARY COLOURS, THE STUDY OF ATMOSPHERE—THE IDEAS OF THE IMPRESSIONISTS ON SUBJECT-PICTURES, ON THE BEAUTY OF CHARACTER, ON MODERNITY, AND ON STYLE
THE SECONDARY PAINTERS OF IMPRESSIONISM—CAMILLE PISSARRO, ALFRED SISLEY, PAUL CÉZANNE, BERTHE MORISOT, MISS MARY CASSATT, EVA GONZALÈS, GUSTAVE CAILLEBOTTE, BAZILLE, ALBERT LEBOURG, EUGÈNE BOUDIN
THE MODERN ILLUSTRATORS CONNECTED WITH IMPRESSIONISM: RAFFAËLLI, TOULOUSE-LAUTREC, FORAIN, CHÉRET, ETC.
THE EARLY PERIOD.
THE CENTRAL, OR ROMANESQUE PERIOD.
THE FINAL, OR GOTHIC PERIOD.
The Venetian Painters of the Renaissance
The Textile Art in Its Relation to the Development of Form and Ornament
TO MAKE PLATES FOR THE DAGUERREOTYPE.
THE CAUSE OF THE DIFFICULTY THAT SOMETIMES OCCURS TO PREVENT THE PRODUCTION OF A CLEAR IMPRESSION UPON A DAGUERREOTYPE PLATE.
THE MADONNA AND CHILD
THE HOLY FAMILY
THE PIETÀ
THE CREATION OF MAN
THE DELPHIC SIBYL
THE CUMÆAN SIBYL
THE TOMB OF GIULIANO DE' MEDICI
THE RECOVERERS OF REMBRANDT
THE APPEAL OF THE PAINTINGS
THE APPEAL OF THE ETCHINGS
THE GREAT TRIUMVIRATE
THE ANGEL RAPHAEL LEAVING THE FAMILY OF TOBIT
THE RAT KILLER
THE PHILOSOPHER IN MEDITATION
THE GOOD SAMARITAN
THE PRESENTATION IN THE TEMPLE
THE SORTIE OF THE CIVIC GUARD, OR THE NIGHT WATCH
THE SYNDICS OF THE CLOTH GUILD
THE THREE TREES
THE PORTRAIT OF REMBRANDT
THE ETCHINGS OF REMBRANDT.
THE HOLY NIGHT (LA NOTTE)
THE MARRIAGE OF ST. CATHERINE
THE MADONNA DELLA SCODELLA
The History and Practice of the Art of Photography
THE THEORY ON LIGHT. THE PHOTOGRAPHIC PRINCIPLE
THE DAGUERREOTYPE PROCESS
THE CHRYSOTYPE