French Art |
FOOTNOTES |
FOOTPRINTS IN ROME |
FRENCH PAINTING. SIXTEENTH, SEVENTEENTH, AND EIGHTEENTH-CENTURY PAINTING. |
FRENCH PAINTING. THE NINETEENTH CENTURY. |
FRENCH PAINTING. THE NINETEENTH CENTURY. (Continued). |
FLEMISH PAINTING. |
FOOTNOTES |
FLEMISH SCHOOL |
FRANS HALS |
FRENCH SCHOOL |
FOLLOWERS OF GIOTTO |
FRA ANGELICO |
FRA FILIPPO LIPPI |
FRA BARTOLOMMEO |
FRA ANGELICO DA FIESOLE. |
FRA BARTOLOMMEO (Baccio delta Porta). |
FRANCESCO BOTTICINI. |
FILIPPINO and FILIPPO, see LIPPI. |
FRANCIABIGIO. |
FRANCESCO GRANACCI. |
FILIPPINO LIPPI |
FRA FILIPPO LIPPI. |
FRANCESCO PESELLINO. |
FOOTNOTES |
FORM IN TEXTILE ART. |
FOREIGN CONTEMPORARY PAINTERS |
Footnotes |
FILLING THE WATER-BOTTLES |
FEEDING HER BIRDS |
FIRST ENGLISH STYLES |
FRANCONIAN ILLUMINATION |
FRENCH ILLUMINATION FROM THE THIRTEENTH CENTURY TO THE RENAISSANCE |
FRENCH AND ANGLO-FRENCH GOTHIC |
FRENCH |
FROM THE THIRTEENTH TO THE SIXTEENTH CENTURY |
FOOTNOTES: |
FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION |
Fig. 1.—Plan of work-table. |
Fig. 2.—Block mounted with cross ends to prevent warping. |
Fig. 3.—Drawing of the knife. |
Fig. 4.—Sizes of chisels. |
Fig. 5.—Short chisel in split handle. |
Fig. 6.—Mallet. |
Fig. 7.—Position of the hands in using the knife. |
Fig. 8.—Another position of the hands in using the knife. |
Fig. 11.—Method of holding gouge. |
Fig. 12.—Clearing of wood between knife cuts. |
Fig. 13.—Position of register marks. |
Fig. 15.—Register marks (section of). |
Fig. 16.—Section of colour-block. A. Colour mass. B. Depression. C. Surface of Plank. |
Fig. 17.—Drawing of sizing of paper. |
Fig. 19.—Method of re-covering baren. |
Fig. 20.—Drawing of brushes. |
Fig. 21.—Manner of holding the paper. |
Fig. 22.—Manner of using the baren. |
Friends and Acquaintances at the Dilettanti Society |
FOOTNOTES |
FLOATING OF THE TUBES. |
FILIPPO BRUNELLESCHI. |
FROLICS OF MIERIS AND JAN STEEN. |
FRACANZANI AND SALVATOR ROSA. |