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Title
CLASSIC PAINTING
CLASSIC SCULPTURE
CHALDÆO-ASSYRIAN PAINTING.
Chinese Painters
CONCLUSION
CORÉSUS AND CALLIRHOÉ
CONSTANT AIMS OF FLORENTINE ART
CIMABUE.
COSIMO, see PIER DI COSIMO.
C.
COSIMO ROSSELLI.
CLAUDE MONET: HIS WORK, HIS INFLUENCE
COLOR.
COLOR IN TEXTILE ART.
COLOR PHENOMENA.
CHAPTER I.
CHAPTER II. MISCELLANEOUS.
CHAPTER III. CHEMICALS.
CHLORINE.
CYANIDE OF POTASSIUM.
CHAPTER IV. LIGHT AND OPTICS.
CHAPTER V.
CRAYON DAGUERREOTYPES.
CHOICE OF PLATES, ETC.
CHAPTER VI.
COLLATERAL READINGS FROM LITERATURE.
CUPID
CHRIST TRIUMPHANT
CENTRAL FIGURES IN THE LAST JUDGMENT
CHRIST PREACHING
CHRIST AT EMMAUS
COMPOSITION.
CHIARO-SCURO.
COLOUR.
Correggio
CALOTYPE AND CHRYSOTYPE
CYANOTYPE, ENERGIATYPE, CHROMATYPE, ANTHOTYPE, AMPHITYPE AND "CRAYON DAGUERREOTYPE"
COLLATERAL READINGS FROM LITERATURE
CHARLES, PRINCE OF WALES
CHRIST AND THE PARALYTIC
COLOURS FOR POLISHED BRASS—MISCELLANEOUS
CIRCA FOURTH CENTURY.
CELTIC ILLUMINATION
CELTIC ILLUMINATION—continued
CAROLINGIAN ILLUMINATION
CLASSICAL AND EARLY CHRISTIAN
CAROLINGIAN
CONTENTS
CONCLUSION
CALIFORNIA AND AMERICA
CUTTING
COLOUR
Co-operative Printing
CONTEMPORARIES
CUPID AS LINK BOY
COLUMBUS BREAKING THE EGG.
CONSULTATION OF PHYSICIANS—THE UNDERTAKERS' ARMS.
CAPTAIN THOMAS CORAM.
CARBURI'S BASE FOR THE EQUESTRIAN STATUE OF PETER THE GREAT.
COMPARATIVE SKILL OF THE ANCIENTS AND MODERNS IN MECHANICS.
CONSTRUCTION OF THE TUBES.
CARRIERA ROSALBA.
CALLOT'S PATRIOTISM.
CURIOUS PAINTINGS.
CURIOUS REPRESENTATIONS OF THE HARPIES.
CAMBIASO'S WORKS IN SPAIN.
CAMBIASO'S ARTISTIC MERITS.
CANO'S LOVE OF SCULPTURE.
CASTILLO'S SARCASM ON ALFARO.
CARRENO'S COPY OF TITIAN'S ST. MARGARET.
CARRENO'S COPY OF TITIAN'S ST. MARGARET.
CARRENO'S ABSTRACTION OF MIND.
CAPUGNANO AND LIONELLO SPADA.