John Ruskin

(TURNER)

JOHN RUSKIN

(MICHAEL ANGELO)

ALEXANDRE DUMAS

(GUIDO RENI)

CHARLOTTE A. EATON

On the roof of the summer-house of the Palazzo Rospigliosi, is painted the celebrated fresco of Guido's Aurora. Its colouring is clear, harmonious, airy, brilliant—unfaded by time; and the enthusiastic admirer of Guido's genius may be permitted to hope that this, his noblest work, will be immortal as his fame.

(DÜRER)

MORIZ THAUSING

(BOTTICELLI)

MARCEL REYMOND

"A JOY FOR EVER";
(AND ITS PRICE IN THE MARKET):
BEING THE SUBSTANCE (WITH ADDITIONS) OF TWO LECTURES ON THE POLITICAL ECONOMY OF ART
Delivered at Manchester, July 10th and 13th, 1857.

BY JOHN RUSKIN

Note, p. 18.—"Fatherly authority."

Oct. 14th, 1873.[22]

166. It is to be remembered that the giving of prizes can only be justified on the ground of their being the reward of superior diligence and more obedient attention to the directions of the teacher. They must never be supposed, because practically they never can become, indications of superior genius; unless in so far as genius is likely to be diligent and obedient, beyond the strength and temper of the dull.

A Lecture delivered at Manchester, July 10, 1857.

Continuation of the previous Lecture; delivered July 13, 1857.

61. The heads of our subject which remain for our consideration this evening are, you will remember, the accumulation and the distribution of works of art. Our complete inquiry fell into four divisions—first, how to get our genius; then, how to apply our genius; then, how to accumulate its results; and lastly, how to distribute them. We considered, last evening, how to discover and apply it;—we have to-night to examine the modes of its preservation and distribution.