W.C. Brownell

Géricault and Delacroix are the great names inscribed at the head of the romantic roll. They will remain there. And the distinction is theirs not as awarded by the historical estimate; it is personal. In the case of Géricault perhaps one thinks a little of "the man and the moment" theory. He was, it is true, the first romantic painter—at any rate the first notable romantic painter. His struggles, his steadfastness, his success—pathetically posthumous—have given him an honorable eminence.

What do we mean by style? Something, at all events, very different from manner, in spite of Mr. Hamerton's insistence upon the contrary. Is the quality in virtue of which—as Mr. Dobson paraphrases Gautier—

"The bust outlives the throne,
The coin Tiberius"