Engraving

PLATE I.FRANCE.

 
With lantern jaws and croaking gut,
See how the half-star'd Frenchmen strut,
And call us English dogs:
But soon we'll teach these bragging foes
That beef and beer give heavier blows
Than soup and roasted frogs.
The priests, inflam'd with righteous hopes,
Prepare their axes, wheels, and ropes,

PRISON SCENE.

 
"Happy the man whose constant thought,
(Though in the school of hardship taught,)
Can send remembrance back to fetch
Treasures from life's earliest stretch;
Who, self-approving, can review
Scenes of past virtues, which shine through
The gloom of age, and cast a ray
To gild the evening of his day!

COLUMBUS BREAKING THE EGG.

 

By the success of Columbus's first voyage, doubt had been changed into admiration; from the honours with which he was rewarded, admiration degenerated into envy. To deny that his discovery carried in its train consequences infinitely more important than had resulted from any made since the creation, was impossible. His enemies had recourse to another expedient, and boldly asserted that there was neither wisdom in the plan, nor hazard in the enterprise.

PLATE I.THE FELLOW-'PRENTICES AT THEIR LOOMS.

 

"The drunkard shall come to poverty, and drowsiness shall clothe a man with rags."
Proverbs, chap. xxiii. verse 21.

"The hand of the diligent maketh rich."—Proverbs, chap. x. verse 4.

PLATE II.ENGLAND.

 
See John the Soldier, Jack the Tar,
With sword and pistol arm'd for war,
Should Mounseer dare come here;
The hungry slaves have smelt our food,
They long to taste our flesh and blood,
Old England's beef and beer.
Britons to arms! and let 'em come,
Be you but Britons still, strike home,

SCENE IN A MADHOUSE.

 
"Madness! thou chaos of the brain,      }
What art, that pleasure giv'st and pain?  }
Tyranny of fancy's reign!
Mechanic fancy! that can build
Vast labyrinths and mazes wild,

A MIDNIGHT MODERN CONVERSATION.

 
"Think not to find one meant resemblance there;
We lash the vices, but the persons spare.
Prints should be priz'd, as authors should be read,
Who sharply smile prevailing folly dead.
So Rabelais laugh'd, and so Cervantes thought;
So nature dictated what art has taught."

PLATE II.THE INDUSTRIOUS 'PRENTICE PERFORMING THE DUTY OF A CHRISTIAN.

 

"O how I love thy law; it is my meditation all the day."—Psalm cxix. verse 97.

This plate displays our industrious young man attending divine service in the same pew with his master's daughter, where he shows every mark of decent and devout attention.

FOOTNOTES

 

[1] The attendant black boy gave the foundation of an ill-natured remark by Quin, when Garrick once attempted the part of Othello. "He pretend to play Othello!" said the surly satirist; "He pretend to play Othello! He wants nothing but the tea-kettle and lamp, to qualify him for Hogarth's Pompey!"

THE DISTRESSED POET.

 

This Plate describes, in the strongest colours, the distress of an author without friends to patronise him. Seated upon the side of his bed, without a shirt, but wrapped in an old night-gown, he is now spinning a poem upon "Riches:" of their use he probably knoweth little; and of their abuse,—if judgment can be formed from externals,—certes, he knoweth less.

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