Engraving

"Think not to find one meant resemblance there;
We lash the vices, but the persons spare.
Prints should be priz'd, as authors should be read,
Who sharply smile prevailing folly dead.
So Rabelais laugh'd, and so Cervantes thought;
So nature dictated what art has taught."

"O how I love thy law; it is my meditation all the day."—Psalm cxix. verse 97.

This plate displays our industrious young man attending divine service in the same pew with his master's daughter, where he shows every mark of decent and devout attention.

[1] The attendant black boy gave the foundation of an ill-natured remark by Quin, when Garrick once attempted the part of Othello. "He pretend to play Othello!" said the surly satirist; "He pretend to play Othello! He wants nothing but the tea-kettle and lamp, to qualify him for Hogarth's Pompey!"

This Plate describes, in the strongest colours, the distress of an author without friends to patronise him. Seated upon the side of his bed, without a shirt, but wrapped in an old night-gown, he is now spinning a poem upon "Riches:" of their use he probably knoweth little; and of their abuse,—if judgment can be formed from externals,—certes, he knoweth less.

This plate is designed, with much humour, according to the rules of heraldry, and is called The Undertakers' Arms, to show us the connexion between death and the quack doctor, as are also those cross-bones on the outside of the escutcheon. When an undertaker is in want of business, he cannot better apply than to some of those gentlemen of the faculty, who are, for the most part, so charitably disposed, as to supply the necessities of these sable death-hunters, and keep them from starving in a healthy time. By the tenour of this piece, Mr.

"Judgments are prepared for scorners, and stripes for the back of fools."
Proverbs, chap. xix. verse 29.

It having been universally acknowledged that Mr. Hogarth was one of the most ingenious painters of his age, and a man possessed of a vast store of humour, which he has sufficiently shown and displayed in his numerous productions; the general approbation his works receive, is not to be wondered at.

Daniel Lock was an architect of some eminence. He retired from business with an ample fortune, lived in Surrey-street, and was buried in the chapel of Trinity College, Cambridge. This portrait was originally engraved by J. M'Ardell from a painting by Hogarth, and is classed among the productions of our artist that are of uncertain date.

DANIEL LOCK, ESQ. F.A.S. DANIEL LOCK, ESQ. F.A.S.

"Well done, thou good and faithful servant; thou hast been faithful over a few things, I will make thee ruler over many things." Matthew, chap. xxv. verse 21.

"Let him laugh now, who never laugh'd before;
And he who always laugh'd, laugh now the more."

"From the first print that Hogarth engraved, to the last that he published, I do not think," says Mr. Ireland, "there is one, in which character is more displayed than in this very spirited little etching. It is much superior to the more delicate engravings from his designs by other artists, and I prefer it to those that were still higher finished by his own burin.

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