Painting

To the peasant farmer every month of the year brings its own labors. From seed time to harvest there is a constant succession of different tasks, and hardly is the harvest gathered in before it is time to prepare again for planting. Before ploughing can be begun the fields must first be cleared of stubble and weeds. Now in Millet's village of Barbizon, this clearing of the fields was done, in his day, by means of an implement called in French a houe.

In studying the works of any great painter many questions naturally arise as to the personality of the man himself and the influences which shaped his life. Some such questions have already been answered as we have examined these fifteen pictures by Millet. Jean François Millet, we have learned, was of peasant parentage and spent the greater part of his life in the country. His pious Norman ancestors bequeathed him a rich heritage of strong and serious traits. From them, too, he drew that patience and perseverance which helped him to overcome so many obstacles in his career.

by Estelle M. Hurll

Since the death of Millet, in 1875, much that is interesting and valuable has been written of his life and work. The first biography of the painter was that by his friend Sensier, in a large illustrated volume whose contents have been made familiar to English readers by an abridged translation published in this country simultaneously with the issue of the French edition.

On the summit of Monte Pellegrino, in the island of Sicily, stands a colossal statue of St. Rosalia. Like the old Greek statue of Victory on the island of Samothrace,[8] or to use a modern instance, like the statue of Liberty on Bedloe's Island in New York harbor, St. Rosalia serves as a beacon to mariners. The Sicilians hold the saint in great reverence, and celebrate her memory in two annual festivals. From the eleventh to the fifteenth of July are horse-races, regattas, illuminations, and all sorts of gayeties in her honor. In September there is a solemn procession to her chapel.

(Detail of Children of Charles I.)

The Prince Charles of our picture was the son of Charles I. and Henrietta Maria, and bore the title of the Prince of Wales. He was born on the morning of May 29, 1630, and there was great rejoicing in the royal household that he was a fine strong baby. The king at once rode in state to St. Paul's Cathedral to give thanks for the birth of an heir. While the procession was on its way a bright star appeared in the noonday sky. This was hailed as a good omen, and an epigram was composed on the occasion:—

St. Martin was born during the reign of the Emperor Constantine the Great, and was the son of a Roman soldier. He himself entered the army at an early age, and was sent into Gaul with a regiment of cavalry. Among his comrades he was loved for his mildness of temper and his generosity.

The life of our Lord, which began in the Bethlehem manger, culminated on the cross of Mount Calvary. In our picture we see the Man of Sorrows in his last moments of suffering. How it came about that he was crucified is fully related by the four evangelists.[19]

James Stuart, Duke of Lennox, was one of the most prominent personages at the English court. His uncle was a cousin and trusted friend of King James I., and the relations between the nephew and Charles I. were even closer. Immediately upon taking a degree at Cambridge, the young nobleman entered the royal service as Gentleman of the King's Bedchamber. He was just thirteen years of age, and a born courtier. "His courtesie was his nature, not his craft," quaintly says one historian. While still in his minority, he visited France, Italy, and Spain.

It was a part of our Lord's ministry among men to restore to health the body as well as the soul. He was often moved with compassion by the disease and suffering which he saw as he went about Galilee or passed through the streets of Jerusalem. St. John, the evangelist (chapter v.), relates an incident which took place at a pool called Bethesda near a sheep market in Jerusalem.