From Barye to the Institute is a long way. Nothing could be more interhostile than his sculpture and that of the professors at the École des Beaux-Arts. And in considering the French sculpture of the present day we may say that, aside from the great names already mentioned—Houdon, David d'Angers, Rude, Carpeaux, and Barye—and apart from the new movement represented by Rodin and Dalou, it is represented by the Institute, and that the Institute has reverted to the Italian inspiration. The influence of Canova and the example of Pradier and Etex were not lasting.