MARIOTTO ALBERTINELLI.

1474-1515. Pupil of Cosimo Rosselli and Pier di Cosimo; influenced by Lorenzo di Credi; worked in partnership with Fra Bartolommeo.

  • Agram (Croatia).
    • Strossmayer Collection. Adam and Eve driven from Paradise. E.
  • Bergamo.
    • Lochis, 203. Crucifixion.
    • Morelli, 32. St. John and the Magdalen. E.
  • Cambridge.
    • Fitzwilliam Museum, 162. Madonna and infant John. 1509.
  • Chartres.
    • Musée. Tabernacle: Madonna and Saints, Crucifixion, etc. E.
  • Florence.
    • Academy, 63. Trinity.
    • 167. Madonna and four Saints.
    • 169. Annunciation. 1510.
    • Pitti, 365. Holy Family.
    • Uffizi, 71. Last Judgment (begun in 1499 by Fra Bartolommeo).
    • 1259. Visitation, with Predella. 1503.
    • Corsini, 160. Holy Family (in part). 1511.
    • Certosa (near Florence). Crucifixion. 1505.
  • Geneva.
    • Musée. Annunciation. 1511.
  • Gloucester.
    • Highnam Court, Sir Hubert Parry, 7. Nativity.
    • 24. Scenes from the Creation. E.
  • The Hague.
    • 306. Holy Family with infant John (on Fra Bartolommeo’s cartoon).
  • Madrid.
    • Duke of Alba. Madonna.
  • Milan.
    • Poldi-Pezzoli, 477. Triptych. 1500.
  • Munich.
    • 1057. Annunciation and the two Saints.
  • New York.
    • Mr. Samuel Untermeyer. Female Saint.
  • Paris.
    • 1114. Madonna and Saints (begun by Filippino, who laid in the St. Jerome. Albertinelli was assisted by Bugiardini in the execution of the rest, especially in the Child and landscape). 1506.
  • Pisa.
    • S. Caterina. Madonna and Saints (on Fra Bartolommeo’s cartoon). 1511.
  • Rome.
    • Borghese, 310. Madonna and infant John (on Fra Bartolommeo’s cartoon). 1511.
    • 421. Head of Christ.
  • Scotland.
    • Gosford House, Earl Of Wemyss. Madonna.
  • Siena.
    • 564. St. Catherine. 1512.
    • 565. The Magdalen. 1512.
  • Stuttgart.
    • 242, 243, 244. Coronation and two putti (top of Fra Bartolommeo’s altar-piece at Besançon). 1512.
  • Venice.
    • Seminario, 18. Madonna.
  • Volterra.
    • Duomo. Annunciation. E.