Bernhard Berenson

About 1370-1425. Follower of Agnolo Gaddi and the Sienese.

We are happily far better situated toward Fra Angelico, enough of whose works have come down to us to reveal not only his quality as an artist, but his character as a man. Perfect certainty of purpose, utter devotion to his task, a sacramental earnestness in performing it, are what the quantity and quality of his work together proclaim.

1494-1541. Pupil of Andrea del Sarto; influenced by Pontormo and Michelangelo.

Turning our attention first to movement—which, by the way, is not the same as motion, mere change of place—we find that we realise it just as we realise objects, by the stimulation of our tactile imagination, only that here touch retires to a second place before the muscular feelings of varying pressure and strain.

1486-1531. Pupil of Pier di Cosimo; influenced by Fra Bartolommeo and Michelangelo.

About 1450-1513. Pupil and imitator of his brother-in-law, Domenico Ghirlandajo.

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