Estelle M. Hurll

(Detail of Children of Charles I.)

The Prince Charles of our picture was the son of Charles I. and Henrietta Maria, and bore the title of the Prince of Wales. He was born on the morning of May 29, 1630, and there was great rejoicing in the royal household that he was a fine strong baby. The king at once rode in state to St. Paul's Cathedral to give thanks for the birth of an heir. While the procession was on its way a bright star appeared in the noonday sky. This was hailed as a good omen, and an epigram was composed on the occasion:—

St. Martin was born during the reign of the Emperor Constantine the Great, and was the son of a Roman soldier. He himself entered the army at an early age, and was sent into Gaul with a regiment of cavalry. Among his comrades he was loved for his mildness of temper and his generosity.

The life of our Lord, which began in the Bethlehem manger, culminated on the cross of Mount Calvary. In our picture we see the Man of Sorrows in his last moments of suffering. How it came about that he was crucified is fully related by the four evangelists.[19]

[19] St. Matthew, chapters xxvi. and xxvii.; St. Mark, chapters xiv. and xv.; St. Luke, chapters xxii. and xxiii.; St. John, chapters xviii. and xix.

The legend of St. Cecilia is not so tragic as that of St. Catherine. According to the story, Cecilia was a beautiful young girl who belonged to a noble Roman family of the third century.

Richard III. (1483-1485), Henry VII. (1485-1509), Henry VIII. (1509-1547), kings.

Sebastian Cabot (1477-15?), discoverer.

The Transfiguration is a picture divided into two parts. The lower part is filled with more figures than the upper and contains more action. On one side are nine of the disciples of Jesus; on the other is a crowd of people in company with a father who brings his son to be healed. He gives an account of his boy's sickness in these words:—

"He is mine only child. And lo! a spirit taketh him, and he suddenly crieth out; and it teareth him that he foameth again; and, bruising him, hardly departeth from him."[7]

Frederick III. (1440-1493), emperor of Austria, and Maximilian I. (1493-1519).

Martin Luther (1483-1546), religious reformer.

Albert Dürer (1471-1528), painter.

Holbein (1498-1543), painter.

Copernicus (1473-1545), astronomer.

Raphael was but twenty-five years old when he was bidden adorn a room in the Vatican palace, and he made the four walls answer to four divisions in the ceiling, just as afterward in the Heliodorus room. The four divisions in the ceiling were filled with four figures, representing Theology, Poetry, Philosophy, and Justice. Beneath Poetry was this large, full design of Parnassus.

Charles VIII. (1483-1498), king.

Rabelais (1483 or 1495-1553), satirist.

In the same room which holds Parnassus, with Poetry above on the ceiling, there is another wall painting by Raphael, which commonly bears the name of The School of Athens, though that name was not originally applied to it. In the ceiling above is a figure representing Philosophy, and the picture below carries out the idea in its presentation of an assembly of scholars.

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