S. Spooner

Donatello died on the 13th of December, 1466. He was buried with great pomp and solemnity in the church of San Lorenzo, near the tomb of Cosmo, as he himself had commanded (for he had purchased the right), "to the end," as he said, "that his body might be near him when dead, as his spirit had ever been near him when in life." Bottari observes that another reason for his choice of San Lorenzo, may have been that many of his works were in that church.

This eminent Dutch marine painter was born at Leyden, in 1610. He drew everything after nature, and was one of the most correct, spirited, and admirable designers of marine subjects. He made an incredible number of drawings on paper, heightened with India ink, all of them sketched from nature with uncommon elegance and fidelity.

Poussin not only studied every vestige of antiquity at Rome and in its environs, with the greatest assiduity while young, but he followed this practice through life.

"When the haughty and able Pope Innocent III. caused Cardinal Langton to be elected Archbishop of Canterbury in despite of King John, and compelled him to submit, to appease the latter and to admonish him, his Holiness presented him with four golden rings, set with precious stones, at the same time taking care to inform him of the many mysteries implied in them.

The largest of the temples of Thebes, and of any in Egypt, is that of Carnac, on the site of the ancient Diospolis. Diodorus describes it as thirteen stadia, or about a mile and a half in circumference, which nearly agrees with the admeasurements of Denon.

The small picture which once adorned the tabernacle of the Capuchin high altar at Seville, is interesting on account of its legend, as well as its extraordinary artistic merits. Murillo, whilst employed at the convent, had formed a friendship with a lay brother, the cook of the fraternity, who attended to his wants and waited on him with peculiar assiduity. At the conclusion of his labors, this Capuchin of the kitchen begged for some trifling memorial of his pencil. The painter was quite willing to comply, but said that he had exhausted his stock of canvas.

The tubes forming the viaducts, rest upon two abutments and three piers, called respectively the Anglesea abutment and pier, the Carnarvon abutment and pier, and the Britannia or central pier, built upon the Britannia rock in the middle of the straits, which gives name to the bridge. The Anglesea abutment is 143 feet 6 inches high, 55 feet wide, and 175 feet long to the end of the wings, which terminate in pedestals, supporting colossal lions on either side, 25 feet 6 inches in length, 12 feet 6 inches high, and 8 feet broad, carved out of a single block of Anglesea marble.

Pacheco relates a remarkable effect produced by a picture from the pencil of Methodius, who resided at Constantinople about 854. He was invited to Nicopolis by Bogoris, king of the Bulgarians, to decorate a banqueting-hall in his palace. That prince left the choice of his subject to the artist, limiting him to those of a tragic or terrible character.

"I will not omit to mention," says Vasari, "that the most learned and very reverend Don Vincenzio Borghini, of whom we have before spoken in relation to other matters, has collected into a large book, innumerable drawings of distinguished painters and sculptors, ancient as well as modern, and among these are two drawings on two leaves opposite to each other, one of which is by Donato, and the other by Michael Angelo Buonarroti.

After having executed many capital pictures for the States of Holland, Van de Velde was invited to England by Charles II., who had become acquainted with his talents during his residence in Holland. He arrived in London about 1675, well advanced in years, and the king settled upon him a pension of £100 per annum until his death, in 1693, as appears from this inscription on his tomb-stone in St. James' church: "Mr. William van de Velde, senior, late painter of sea-fights to their Majesties, King Charles II.