Painting

A general impression prevails with the large picture-loving public that a special training is necessary to any proper appreciation of Rembrandt. He is the idol of the connoisseur because of his superb mastery of technique, his miracles of chiaroscuro, his blending of colors. Those who do not understand these matters must, it is supposed, stand quite without the pale of his admirers. Too many people, accepting this as a dictum, take no pains to make the acquaintance of the great Dutch master. It may be that they are repelled at the outset by Rembrandt's indifference to beauty.

When Jacob wrestled with the angel he received a new name, Israel, or a prince, a champion of God.

The history of modern Rembrandt bibliography properly begins with the famous work by C. Vosmaer, "Rembrandt Harmens van Rijn, sa Vie et ses Œuvres." Vosmaer profited by the researches of Kolloff and Burger to bring out a book which opened a new era in the appreciation of the great Dutch master. It was first issued in 1868, and was republished in 1877 in an enlarged edition. This book was practically alone in the field until the recent work of Emile Michel appeared.

The story of Tobit is found in what is called the Apocrypha, that is, a collection of books written very much in the manner of the Bible, and formerly bound in Bibles between the Old and the New Testament.

The story goes that when Enemessar, King of Assyria, conquered the people of Israel, he led away many of them captive into Assyria, among them the family of Tobit, his wife Anna, and their son Tobias. They settled in Nineveh, and Tobit, being an honest man, was made purveyor to the king. That is, it was his business to provide food for the king's household.

Portrait Frontispiece. National Gallery, London. Signed and dated 1640.

1. Jacob Wrestling with the Angel. Berlin Gallery. Signed and dated 1659. Figures life size. Size: 4 ft. 5-1/16 in. by 3 ft. 9-5/8 in.

2. Israel Blessing the Sons of Joseph. Cassel Gallery. Signed and dated 1656. Figures life size. Size: 5 ft. 8-9/16 in. by 6 ft. 6-3/4 in.

The pictures we have examined thus far in this collection have been reproductions from Rembrandt's paintings. You will see at once that the picture of the Rat Killer is of another kind. The figures and objects are indicated by lines instead of by masses of color. You would call it a drawing, and it is in fact a drawing of one kind, but properly speaking, an etching. An etching is a drawing made on copper by means of a needle. The etcher first covers the surface of the metal with a layer of some waxy substance and draws his picture through this coating, or "etching ground," as it is called.

1606.[1] Rembrandt born in Leyden.

1621. Rembrandt apprenticed to the painter, Jacob van Swanenburch.

1624. Rembrandt studied six months with Pieter Lastman in Amsterdam.

1627. Rembrandt's earliest known works, St. Paul in Prison, (Stuttgart Museum); The Money Changers (Berlin Gallery).

1631. Rembrandt removed to Amsterdam.

1631. The Presentation painted.

1632. The Anatomy Lecture painted.

1633. The portrait of the Shipbuilder and his Wife painted.

1634. Rembrandt married Saskia van Uylenborch, June 22, in Bildt.

Ever since the beginning of human history there have been people who puzzled their brains about the reasons of things. Why things are as they are, whence we came, and whither we are going are some of the perplexing questions they have tried to answer. Some men have given all their lives to the study of these problems as a single occupation or profession. Among the ancient Greeks, who were a very intellectual nation, such men were quite numerous and were held in great esteem as teachers.

Frederick Henry of Orange, stadtholder, 1625. Princess Amalia of Solms, wife of Frederick Henry, built the Huis ten Bosch (House in the Woods) at the Hague, 1647.

William II of Orange, stadtholder, 1647. In 1650 the stadt-holderate was suppressed, and John de Witt became in 1653 chief executive of the republic for twenty years. Murdered in 1672.

John of Barneveld, Grand Pensioner, "the greatest statesman in all the history of the Netherlands" (Griffis). Executed May 24, 1619.

Michael de Ruyter, "the Dutch Nelson," died 1676.

The story of the Good Samaritan was related by Jesus to a certain lawyer as a parable, that is, a story to teach a moral lesson. The object was to show what was true neighborly conduct; and this was the story:—[6]