| I. |
TYPES OF FIRST DRAWINGS BY CHILDREN |
| II. |
SHOWING WHERE SQUARENESSES MAY BE LOOKED FOR |
| III. |
A DEVICE FOR ENABLING STUDENTS TO OBSERVE APPEARANCES AS A FLAT SUBJECT |
| IV. |
SHOWING THREE PRINCIPLES OF CONSTRUCTION USED IN OBSERVING MASSES, CURVES, AND POSITION OF POINTS |
| V. |
PLAN OF CONE ILLUSTRATING PRINCIPLES OF LIGHT AND SHADE |
| VI. |
ILLUSTRATING SOME POINTS CONNECTED WITH THE EYES |
| VII. |
EGG AND DART MOULDING |
| VIII. |
ILLUSTRATING VARIETY IN SYMMETRY |
| IX. |
ILLUSTRATING VARIETY IN SYMMETRY |
| X. |
ILLUSTRATING INFLUENCE OF HORIZONTAL LINES |
| XI. |
ILLUSTRATING INFLUENCE OF VERTICAL LINES |
| XII. |
ILLUSTRATING INFLUENCE OF THE RIGHT ANGLE |
| XIII. |
LOVE AND DEATH |
| XIV. |
ILLUSTRATING POWER OF CURVED LINES |
| XV. |
THE BIRTH OF VENUS |
| XVI. |
THE RAPE OF EUROPA |
| XVII. |
xviBATTLE OF S. EGIDIO |
| XVIII. |
SHOWING HOW LINES UNRELATED CAN BE BROUGHT INTO HARMONY |
| XIX. |
SHOWING HOW LINES UNRELATED CAN BE BROUGHT INTO HARMONY |
| XX. |
THE ARTIST'S DAUGHTER |
| XXI. |
THE INFLUENCE ON THE FACE OF DIFFERENT WAYS OF DOING THE HAIR |
| XXII. |
THE INFLUENCE ON THE FACE OF DIFFERENT WAYS OF DOING THE HAIR |
| XXIII. |
EXAMPLES OF EARLY ITALIAN TREATMENT OF TREES |
| XXIV. |
THE PRINCIPLE OF MASS OR TONE RHYTHM |
| XXV. |
MASS OR TONE RHYTHM IN "ULYSSES DERIDING POLYPHEMUS" |
| XXVI. |
EXAMPLE OF COROT'S SYSTEM OF MASS RHYTHM |
| XXVII. |
ILLUSTRATING HOW INTEREST MAY BALANCE MASS |
| XXVIII. |
PROPORTION |
