Home
Books
Pages
Authors
Subjects
Home
»
Wood-Block Printing
»
APPENDIX
Plate XIX.—Reproduction of a colour print by Hiroshigé.
F. Morley Fletcher
Printing
‹ Plate XVIII.—Reproduction of another portion of the print shown on page 111 (actual size), showing the expressive use of line in the drawing of the distant forms.
up
Plate XX.—Reproduction of a portion (actual size) of the print on the preceding page, showing treatment of tree forms and distance. ›
Popular Books
Popular Pages
The Best Portraits in Engraving
Masters of Water-Colour Painting
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
Jean François Millet
Correggio
American Handbook of the Daguerrotype
Raphael
Rembrandt
Great Artists: Raphael, Rubens, Murillo, Dürer
Van Dyck
THE ROMAN FORUM
PAINTING IN ENGLAND.
ANCIENT GREECE AND ITALY.
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
ST. ONOFRIO AND TASSO
THE APPIAN WAY
THE MARBLES OF ANCIENT ROME
THE EGYPTIAN OBELISKS
INDEX OF PLACES.
Today's Books
Today's Pages
The Best Portraits in Engraving
Seven Discourses on Art
Correggio
Raphael
Wood-Block Printing
Rembrandt
Rembrandt
Joshua Reynolds
Six Centuries of Painting
American Handbook of the Daguerrotype
POUSSIN'S VIEWS OF HIS ART.
UNITY OF MASS
ANCIENT GREECE AND ITALY.
ROSALBA'S KNOWLEDGE OF TEMPERS.
SOME OF REMBRANDT'S FAMOUS CONTEMPORARIES IN HOLLAND
ST. MICHAEL SLAYING THE DRAGON
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
PAINTING IN SPAIN.
DUTCH PAINTING.
EGYPT.
