Home
Books
Pages
Authors
Subjects
Home
»
Wood-Block Printing
»
APPENDIX
Plate XVIII.—Reproduction of another portion of the print shown on page 111 (actual size), showing the expressive use of line in the drawing of the distant forms.
F. Morley Fletcher
Printing
‹ Plate XVII.—Reproduction of a portion of the print shown on the preceding page, actual size, showing the treatment of the foliage and the expressive drawing of the tree trunk and stems.
up
Plate XIX.—Reproduction of a colour print by Hiroshigé. ›
Popular Books
Popular Pages
The Best Portraits in Engraving
Masters of Water-Colour Painting
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
Jean François Millet
Correggio
Raphael
American Handbook of the Daguerrotype
Rembrandt
Great Artists: Raphael, Rubens, Murillo, Dürer
Van Dyck
THE ROMAN FORUM
ANCIENT GREECE AND ITALY.
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
PAINTING IN ENGLAND.
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
THE MARBLES OF ANCIENT ROME
ST. ONOFRIO AND TASSO
THE APPIAN WAY
THE EGYPTIAN OBELISKS
INDEX OF PLACES.
Today's Books
Today's Pages
The Best Portraits in Engraving
The History and Practice of the Art of Photography
Correggio
Masters of Water-Colour Painting
Raphael
American Handbook of the Daguerrotype
Wood-Block Printing
The Madonna in Art
Van Dyck
Lectures on Art
THE MARBLES OF ANCIENT ROME
ANCIENT GREECE AND ITALY.
LORENZO DE' MEDICI
MASS DRAWING: PRACTICAL
MONASTIC ILLUMINATION—continued
THE TOMB OF GIULIANO DE' MEDICI
THE ROMAN FORUM
ST. MICHAEL SLAYING THE DRAGON
THE DELPHIC SIBYL
MASS DRAWING
