Plate XVIII.—Reproduction of another portion of the print shown on page 111 (actual size), showing the expressive use of line in the drawing of the distant forms.
- ST. MICHAEL SLAYING THE DRAGON
- THE MADONNA ENTHRONED.
- EDOUARD MANET: HIS WORK, HIS INFLUENCE
- ST. ONOFRIO AND TASSO
- PAINTING IN ENGLAND.
- THE MARBLES OF ANCIENT ROME
- CHAPTER VI.
- PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
- LORENZO DE' MEDICI
- THE TOMB OF GIULIANO DE' MEDICI