Home
Books
Pages
Authors
Subjects
Home
»
Wood-Block Printing
»
APPENDIX
Plate XVII.—Reproduction of a portion of the print shown on the preceding page, actual size, showing the treatment of the foliage and the expressive drawing of the tree trunk and stems.
F. Morley Fletcher
Printing
‹ Plate XVI.—Reproduction of a colour print by Hiroshigé.
up
Plate XVIII.—Reproduction of another portion of the print shown on page 111 (actual size), showing the expressive use of line in the drawing of the distant forms. ›
Popular Books
Popular Pages
The Best Portraits in Engraving
Masters of Water-Colour Painting
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
Jean François Millet
Correggio
American Handbook of the Daguerrotype
Raphael
Rembrandt
Great Artists: Raphael, Rubens, Murillo, Dürer
Van Dyck
THE ROMAN FORUM
ANCIENT GREECE AND ITALY.
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
PAINTING IN ENGLAND.
PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
ST. ONOFRIO AND TASSO
THE APPIAN WAY
THE MARBLES OF ANCIENT ROME
THE EGYPTIAN OBELISKS
INDEX OF PLACES.
Today's Books
Today's Pages
The Best Portraits in Engraving
Wood-Block Printing
Seven Discourses on Art
Masters of Water-Colour Painting
Rembrandt
Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art
American Handbook of the Daguerrotype
Handbook on Japanning
Lectures on Landscape
Correggio
PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
THE MARBLES OF ANCIENT ROME
ANCIENT GREECE AND ITALY.
THE ROMAN FORUM
THE EGYPTIAN OBELISKS
PAINTING IN ENGLAND.
THE APPIAN WAY
FILIPPO BRUNELLESCHI.
MASS DRAWING: PRACTICAL
ST. ONOFRIO AND TASSO