Painting

Manet, Degas, Monet and Renoir will present themselves as a glorious quartet of masters, in the history of painting. We must now speak of some personalities who have grown up by their side and who, without being great, offer nevertheless a rich and beautiful series of works.

Not the least important result of Impressionism has been the veritable revolution effected by it in the art of illustration. It was only natural that its principles should have led to it.

The beginnings of the movement designated under the name of Neo-Impressionism can be traced back to about 1880. The movement is a direct offshoot of the first Impressionism, originated by a group of young painters who admired it and thought of pushing further still its chromatic principles. The flourishing of Impressionism coincided, as a matter of fact, with certain scientific labours concerning optics. Helmholtz had just published his works on the perception of colours and sounds by means of waves.

by Camille Mauclair

The illustrations contained in this volume have been taken from different epochs of the Impressionist movement. They will give but a feeble idea of the extreme abundance of its production.

The rendering of tactile values once recognised as the most important specifically artistic quality of Giotto’s work, and as his personal contribution to the art of painting, we are all the better fitted to appreciate his more obvious though less peculiar merits—merits, I must add, which would seem far less extraordinary if it were not for the high plane of reality on which Giotto keeps us. Now what is back of this power of raising us to a higher plane of reality but a genius for grasping and communicating real significance?