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" (2) | ( (1) | 1 (1) | 2 (1) | 3 (1) | A (74) | B (40) | C (73) | D (44) | E (25) | F (62) | G (30) | H (17) | I (82) | J (17) | K (1) | L (46) | M (54) | N (15) | O (29) | P (133) | Q (1) | R (52) | S (59) | T (215) | U (1) | V (38) | W (10) | X (23) | Z (2) | “ (2)
Title
X.
XI.
XII.
XIII.
XIV.
X. The Young Titian.
XI. Apparent Failure of the Renaissance.
XII. Lotto.
XIII. The Late Renaissance and Titian.
XIV. Humanity and the Renaissance.
XV. Sebastiano del Piombo.
XVI. Tintoretto.
XVII. Value of Minor Episodes in Art.
XVIII. Tintoretto's Portraits.
XIX. Venetian Art and the Provinces.
XX. Paul Veronese.
XXI. Bassano, Genre, and Landscape.
XXII. The Venetians and Velasquez.
XXIII. Decline of Venetian Art.
XXIV. Longhi.
XXV. Canaletto and Guardi.
XXVI. Tiepolo.
XXVII. Influence of Venetian Art.
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  • The Best Portraits in Engraving
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  • Correggio
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  • Raphael
  • Rembrandt
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  • THE ROMAN FORUM
  • ANCIENT GREECE AND ITALY.
  • PAINTING IN ITALY, FROM THE BEGINNING OF THE RENAISSANCE TO THE PRESENT CENTURY.
  • PAINTING IN ENGLAND.
  • PAINTING IN FLANDERS, HOLLAND, AND GERMANY.
  • THE MARBLES OF ANCIENT ROME
  • ST. ONOFRIO AND TASSO
  • THE APPIAN WAY
  • THE EGYPTIAN OBELISKS
  • INDEX OF PLACES.
  • Today's Books
  • Today's Pages
  • Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.
  • The Best Portraits in Engraving
  • Rembrandt and His Works
  • The Practice and Science of Drawing
  • Masters of Water-Colour Painting
  • The Art of the Moving Picture
  • Rembrandt
  • Jean François Millet
  • Joshua Reynolds
  • Correggio
  • PLATE V.THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA.
  • LECTURE VI. LIGHT
  • THE WOMAN SEWING BY LAMPLIGHT
  • PAINTING IN FRANCE.
  • THE VISION OF ST. ANTHONY
  • JAPAN GROUNDS
  • THE NOTTE OF CORREGGIO.
  • VELLUM AND OTHER MATERIALS
  • Early English and Mediaeval Dancing to the 14th Century.
  • LADY COCKBURN AND HER CHILDREN
 
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